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Wicked Lovely and Ink Exchange by Melissa Marr
I love stories about the Fae. Dark, dangerous, decidedly inhuman Fae. Like vampires and werewolves, urban fantasy has a tendency to soften the edges of the Fae, to make them work within a mortal framework. Not Melissa Marr. I am in the middle of reading Fragile Eternity, the third book in the sequence, and her ability to keep the often poisonous bite to all things Fae makes me so very happy.
In Wicked Lovely we are introduced to Keenan, the Summer King who has been searching for his Queen, leaving a trail of mortals who didn’t fit the position in his wake. He is beautiful, charismatic, and Fae to the core. We see how manipulative he can be as he works to win over the one he is convinced is to be his queen, disrupting her mortal life without hesitation. The sheer depth of his lack of anything resembling human ethics or morals is more apparent in Ink Exchange, but it shines throughout Wicked Lovely in his single minded determination to get what he wants. And he wants Aislinn, who has lived her left trying to ignore the Fae she sees with her Second Sight. Who has a life and loves that will be turned upside-down under the full force of the Summer King’s attention.
In Ink Exchange, the focus shifts to Aislinn’s friend Leslie who is desperate for a change, for control. When she chooses to get a tattoo made up of dark wings and enthralling eyes, she catches the attention of Irial, the Dark King, who will use her to feed his starving court. As with Keenan, we see hints and echoes of what can almost be a human concern, but it is ultimately overwhelmed by the inhuman Other that they are. The struggle between Fae and mortal sensibilities comes to a head in Ink Exchange, and spills over magnificently into Fragile Eternity.
The books are written for anyone who ever dreamed of the Faeries coming to take them away, and were properly terrified by the idea. They are rich with a beautifully skewed romance and contain such a sharp edge of emotion that they appeal to audiences far beyond the young adults they are marketed towards.