The Reaping was an event that caught the United States by surprise. Families that had been harboring surrogates- inhuman children passing for human- met with disaster, and the surrogates were rounded up and taken away. After the Reaping, inhuman and mythical entities ceased to have rights and became possessions, curiosities, and some were caged for display in menageries.
Delilah’s mother wanted a good child, a quiet child, but was not prepared when…something….took her wailing baby away and replaced it with smiling Delilah. Delilah was raised never aware that things were not quite what they seem. When a trip to a traveling menagerie pulls a supernatural part of Delilah out in public, she is outed as less than human and sold to that same traveling menagerie.
‘Menagerie’ is a look at humanity in every light possible- the kind as well as the cruel. It is a book about grey areas, the actions and intentions and entities that do not fit well into the black and white. It is not always an easy book to read as supernatural and magical beings are brought as low as possible. But it shines, subtly beautiful in a way that will keep it churning in the back of your head long after you have finished reading.
In 1992 — when Amy Fisher dominated every news channel — there lived two men. The first was a once-prominent cartoonist who had a very public fall from grace. The other was an alcoholic who worked in a landfill. Both lived in different parts of the country and led completely separate lives — until their paths crossed.
You know their names. And for over twenty years, you thought you knew their story — until their journals were found and authenticated in 2014.
And what we thought we knew — what the old news clips and the old stories wanted us to think — were all wrong.
On Friday, June 12th, from 6:30 to 8:30 pm, River Read Books in Binghamton NY, will be hosting a meet-the-author event, to celebrate the release of De Morier’s new novel, ‘Thirty Three Cecils’ — a book set in Binghamton in 1992.
“The official record says all hands were lost at sea. We believe that something far worse occurred. We believe they were found.” -Mira Grant, Rolling in the Deep.
It started as an expedition from the Imagine Network, a ‘documentary’ set to find proof of the existence of mermaids. The liner was populated with its crew, scientists who signed on for the research opportunities, representatives from the Imagine Network, and a troupe of mermaid performance artists. In the event no mermaids were found, some would be provided to tease the cameras every now and then.
No one anticipated there would actually be mermaids in the deepest part of the ocean, or that somewhere while telling tales of mermaids through the ages we got some very important details wrong.
Rolling in the Deep is a beautiful, lethal story about human dreams and desires. It is a short, but very careful book- characters are all thought out and breathe life into the story, and ultimately contribute to pull of the final horror and while bread crumbs of foreshadowing are laid out well for the readers, the end still hits with stunning impact. It is science all twisted up in a fairy tale, and that fairy tale takes its cues from the old cautionary stories we have mellowed over time and tellings. It is for people who look at the ocean with equal parts captivation and distrust, for those who like their fairy tales with a twist, an edge. Highly recommended. Just not, perhaps, before a trip to the beach.
When Feyre lets her ash arrow fly, she knows she might be killing a faerie. But she does not expect the beast that breaks into her home, demanding her life in return for that of the one she had taken. Her life, not her death. Thus begins Feyre’s time in the Spring Court of Tamlin, a High Lord of the faeries. As Feyre starts to sort out her new life she learns that not all is well in the land of faerie- there is a curse upon the land, upon Tamlin and his court. Feyre also learns that not all faeries are dark and vicious as her fear and antagonism towards Tamlin starts to shift to something warmer.
A Court of Thorns and Roses builds the familiar tale of Beauty and the Beast with elements taken from other corners of folk lore and fairy tale. It is the best sort of love story, the slow and natural coming together of two very different people. Feyre and Tamlin fit- the romance is not forced, Maas pulls them together with deft hands. It is also a story of curses and dark magics, the things that go bump in the night and cause you to stop and glance behind you in the woods. It is a wonderful book and will keep you reading far longer than you might have intended, needing to see how it all turns out.
‘A Different City’ is a book containing three stories, each connected by their presence within the city of Marcheval. From demons slipping human skins, idols concealed in attics, exquisite monstrosities- Lee weaves a decadently horrifying tapestry.
The first story, ‘Not Stopping at Heaven’, tells of a marriage where both parties had different motives behind their nuptial vows. Sometimes the targets perceived as easy are not the ones you want to tangle with. The second, ‘Idoll’, tells of a discarded child growing up in the vast home of her relatives, and the unfortunate truths often faced by women of no independent substance. When backed into a corner, one will sometimes walk a path not considered before. The final story, ‘The Portrait in Gray’ is built loosely upon the armature of ‘The Portrait of Dorian Gray’. The prettiest of creatures are not always as beautiful as their exterior might suggest, and revenge is not always an overt undertaking.
To read ‘A Different City’ is to plunge into a world that slips so skillfully into your subconscious that it is hard to remember to come up for air. Lee’s prose is, as ever, deft and a pleasure to read. The world she builds within Marcheval’s walls is enthralling, terrifying, and impossible to ignore. Each story within ‘A Different City’ is unique, but works with the others to strengthen the feel, the tale, of the city as a whole. It is a living, breathing, stalking entity. And it is magnificent.
Ishmael Jones is the sort of fellow who gets things that need doing done. He worked for the organization Black Heir, chasing down illegal Aliens (of the in from space variety) and covering up any messes they might have caused. The kill first, never get to the questioning part rubbed him the wrong way, considering the fact that Ishmael himself is not quite human. So he left his Black Heir days behind to work for The Colonel and his Organization. And when the Colonel asks Ishmael to come to his familial home for Christmas, Ishmeal starts driving.
But The Colonel is missing when Ishmael arrives, and all is very much not well in the massive, old home, or with its strange and often estranged holiday guests.
Green has written a sinister game of Clue, expertly crafted in his usual way of playing with words to make them do things you are pretty sure they did not want to do. The prose, characters you are not sure you want to like but somehow get maybe attached here and there, and the shadowy world Green has created work to bring what could have been a tired old plot to grim and uncanny life. Recommended for Green fans, mystery fans, or folks who want to leave the hall light on at night. Just in case.
Blake does a beautiful job dedicating a book to Midsummer, Litha- the longest day and shortest night. The writing is accessible and language cheerful, celebratory- appropriate to Midsummer itself.
Midsummer is welcoming to pagans of all Paths- Wiccans to Heathens to Druids and everything in between, group or solitary. That is the one thing that stands out the most about the book- its acknowledgement of the different Paths that look to honor Midsummer.
The second stand-out aspect of the book is that it takes into account that not all pagans are living in the country, able to grow their own food and celebrate around a bonfire at night. Midsummer takes into modern practicality without sacrificing any of the spirit of the celebration. Urban and suburban pagans will find Midsummer just as useful and accessible as rural.
The book contains a beautiful discussion of the lore and mythology associated with Midsummer, as well as the traditions and symbolism, across the pagan spectrum. Pagans can turn to Midsummer for ideas on how to celebrate the day, spells appropriate to the season, recipes, crafts…Midsummer goes well beyond a simple history and spell book. An accessible and welcoming section on rituals for solitary or group (of all sizes) use rounds out the book. Blake’s writing is a pleasure to read, and her knowledge and love of her Path is apparent while reading.
Highly recommended for pagans of all Paths looking to fully embrace and celebrate Midsummer.